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good hand–eye coordination to operate the camera. You’ll also need to pay attention to the in- structions of the director and the producer. They will have very clear ideas of what they want the finished product to look like, and it’s your job to help them accomplish this. TV and film camera operators use many different kinds of cameras, from small handheld cameras to large ones mounted on crane arms. In the past few years, digital cameras have become predominant in most situations. Digital video is not only easier to edit but can save money by not needing film, which is expensive both to buy and develop. They also tend to be smaller and easier to carry. What this means is that TV and film camera operators will have to be comfortable with com- puters and digital editing programs. Who’s Hiring? • TV production companies • Movie studios • Local TV stations • Production companies p  The film industry can take you to many different places, including the beach. Be sure to dress appropriately as you’ll have to work through varied weather conditions too. TALKING TRENDS The median income for TV or film camera operators is $63,020 per year but can vary between $26,940 and $109,200, depending on your seniority and who you work for. Many are freelancers whose earn- ings change considerably from year to year. TV/Film Camera Operator  • 11